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ARTISTS

Renan Ferrari

 

DJ since 2005 and musical producer since 2007, Renan Ferrari creates a musical line that makes a journey to Techno with Minimal elements passing throught the House with some doses of Trance in his tracks.


Strong Basslines, many kinds of percussion, always contagious keyboards tones are some of the attributes of his sound.


Renan Ferrari Live makes your debut in Soulvision Festival 2010, one of the most important festivals in the electronic music scenario where artists from many countries can show your work.

Tania Semionova

 

Semionova Tania, a great proposal for the electronic scene today, currently filing in Mexico City begins with a peculiar interest in music that has experimented with various musical instruments to finally discover their affinity for the turntables.


His style of music production and mixing sounds are characterized by fresh, lively and compelling inciting dancefloor.
Despite its few years of career, he has had the opportunity to perform at several of the most important events of the electronic scene in Mexico.
Also committed to his passion, working today in the production of his latest EP, always having something new and distinctive to your audience.

Sven Roesch

 

Alex Low

Mexico’s City based., Alex Low delivers a fine mix of Deep & Tech House., blending classic House sounds, deep evolving grooves and soundscapes. Veteran musician & sound engineer but still a new face in the underground scene. “Stand Apart” & “WareHouse”, both E.P.’s will be released by Zotz Recordingz and Time To Jack respectively, showcasing Alex Low sound at its best, always devoted to House Grooves!!

Midfilter

With great charisma and a vast musical knowledge, Ale (Kalli) has been widely praised for his songs. Midfilter is the name of the new project devoted to the Techno, Tech House and strands. His productions, has influences from Boris Brejcha, D-Nox & Bakers , Loko, Kanio, Josh Dafunk, Format B and other big names in the world, His songs, are full of grooves and percuçoes and much.

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